Showing posts with label Joe Hurst. Show all posts
Showing posts with label Joe Hurst. Show all posts

Ridondo Beach


That's Joe's Hustler. It says any extension to 15", but many of them (including on Loco-Motion), were longer. I'm guessing it was a higher price point from 15" up. From the Dec.69 Choppers Magazine.

White Bear 120


This really cool photo was among the first batch of shots Joe Hurst sent me. It was taken at Bonneville on the way home from his cross country trip with Dick Allen in 1973, hence all the gear he's packing. Joe says once they were on the salt, they just "got it on". It was taken by Dick's female passenger. Dick had Sportster gauges (speedo and tach), on Loco-Motion and said it was pegged at 120 mph.

More Loco

Dick on a their (the South Bay group's), annual cross country trip. Probably about 1973. These were some of the first photos Joe Hurst sent me, but I never got around to posting them.

Here's a pretty good shot of Dick and his Knucklehead chopper Loco-Motion. For such a well known bike, there aren't many good photos of it.

I believe this one is in Iowa.

Ed Roth's Hustler Photos Uncut and Uncensored

Okay, I'm exaggerating a bit... nothing was censored, but these photos have never really been seen before.

Awhile back, In the midst of an unrelated email subject, Joe Hurst surprised me with Ed Roth's original photos for the Hustler feature in Choppers Magazine. As it turned out, Ed gave Joe the photos after it was in the magazine. The first two photos (below), were not published. I did a post on the Hustler feature last Dec. and although the last three made the magazine, I'm posting them again since they are much bigger, much better (than the bad print quality of the magazine), and uncropped.

Here's a cool one. It's an alternate to the shot Roth used to open the article. Yes the angle of the one used is better, but it has that big finger print on it. Like Roth said in the feature, "those forks really shine!"


Another photo that didn't make it.


The sissy bar in all it's glory. This one and the two below were featured, but the top of the sissy bar and the groovy trash can got cropped out.


Besides the details of the Phil Ross stitched seat, Jim Andrews bike "Grapes of Wrath" (upper left), is easier to spot in this large print.


The money shot, large and uncut. Joe later had the big SU carb polished to match the other shinny stuff. As mentioned in the first post, the engine came out of Dick Allen's Wheeler Dealer.

I think it's pretty cool to see these behind the scene shots all these year later.
Thanks Joe!

A Rare-it-"T" and the "Z" Man

When Bruce Parrish told me he still had a Dick Allen T-shirt, I told him he had to send some photos.

This may be the Holy Grail of vintage chopper T-shirts. I find it interesting that it says California. Perhaps, so Dick could use the same design no matter what city his shop might move to.

I'm not sure if this is a dark photo of the same shirt or a black one. Bruce designed Dick's lettering and drew the art. Joe Hurst said Dick looked like the Zig-Zag man and says he suggested using his head on the art, but Bruce said it was from a cigarette (I never heard of and can't recall the name), that Dick like to smoke. I have to admit, it looks like the Zig-Zag Man to me. Bruce, send me the name if you get a chance.

I don't know about the T-shirt art, but....

Update: Joe called and said the cigarettes that Dick smoked were (sounds like), Shebeedees or Zabedees). That's what Bruce had mentioned. When Bruce told me I did a search, but came up empty. I now found Azadbidi, a brand of bidi cigarettes. That's likely it. Bidis (pronounced bee-dees) are small hand-rolled cigarettes manufactured in India and other southeast Asian countries.

These are not Azadbibi, but show the type. Azad's usually have an elephant on the pack. Bidis are tobacco wrapped in tendu or temburni leaf . Traditionally they are tied with string and come in flavors, like chocolate, mango, vanilla, lemon-lime, mint, pineapple and cherry.

The Hustler

.... and a little more Joe Hurst history.

This time from Choppers Magazine May 1969.


Roth liked nicknames and the bikes named for the features. Roth asked Joe if he had any nicknames, Joe said no.... then Ed asked, if he liked playing pool.... Joe said said yup.

The Hustler is pretty much the prototype of what would become the South Bay Style.

If I got it straight, this was Joe's second Harley and the Shovelhead was out of Dick Allen's chrome frame bike (Wheeler Dealer Chop. Mag. Oct.'68). Joe always laments, the funds from selling his complete Panhead only got him an engine and trans.


Joe's the Godfather of the swooping double braced sissy bar and Dick Allen springers. This fork was the first one Dick Allen made. Actually second, the very first was for a Triumph, but Joe jokes, that doesn't count! The first few Dick made had Harley spring perches and top trees, later versions were completely fabricated from scratch.

From the shadow of the sissy bar, I was able detect the bike next to Joe's was his friend Jim Andrew's Grapes of Wrath. It was featured in another issue.


The tank featured a stylized "13" as on his former Panhead. The seat maker's credit is an error, Phil Ross stitched it up. As Irish Rich pointed out, this front view of the forks was used for the ads in this issue and others.


Here's the cover of the issue it was in. Not Joe's bike, but I know you guys enjoy the Choppers Magazine stuff.

Prior to this feature, the Hustler
had tall stacks and had won First Place in the Street Bike Class at the Trident's custom car and bike show. More on that later.

Doc Holiday's Witch... Too Late for Halloween

I wanted to post this for Halloween but got hung up on some other stuff.

Randy Smith painted the Witch on the tank. The text mentions that Randy is now making his finned valve covers.


Typical Choppers Magazine layout. The print quality wasn't the best and not one good overall shot of the bike, but you got to love it. Roth mistakenly says that the chrome front tubes of the frame were twisted. They were instead made from hex stock. In addition to the tubes and tank, the fender tip also features a dip of the shinny stuff.


Randy Smith is another famous South Bay builder. Here he is on his Hawg Wild panhead. The nearly identical stance of Doc's Witch is probably no coincidence. The similar length of springers and sissy bars, handlebars, bates style seats, 19" front wheels, tells me that Randy was a major influence. The Witch also had Randy's "Finned Dishpans" installed about a year later when the bike was redone. Since they were all South Bay bikers, Joe Hurst knew both Randy and Doc.


Roth shot some interesting angles. Robert Williams wife Susan, is said to be responsible for that lovely masthead.

Back around 1969-'70, I was lucky enough to see the Witch in the parking lot of what is now called the South Bay Galleria.

In the House....

Interior Decorating.... Nice Furniture... Preferred Parking...

Yet another gem from Mr.H.

Living the life. Besides capturing the flavor of the times, there's a few interesting objects against the wall. This was towards the end of Joe's ownership of the bike. A couple of noticeable changes, the collector is painted black and the thin seat is from Dick Allen's chrome frame bike. Dick didn't like to pad his seats.

Freeway Jamming

Another awesome photo courtesy of Joe Hurst.

Joe blasting down the freeway on the pre- White Bear rat. It would make a great painting.

Vintage Chopper Action, or Fun with Joe and Steve

I was blown away when Joe Hurst sent me these photos from 1968.


This was Joe's first Harley. While building it sometime around 1967-68, Joe met Dick Allen who rebuilt the heads. Joe said Dick just had a big smile when he first saw the completed bike.


Another view of Joe's Purple Panhead. Note the braced sissy bar. I call it the "South Bay Swoop". This style of sissy bar was to become a standard feature on most south bay choppers and I had always attributed it's design to Dick Allen, but Joe was actually the first to run one. The design on the tank was a stylized 13.


This and the following photos really blew me away. Joe's old friend Steve Drale is on the left. Steve's dad was once the mayor of Torrance, CA.


A film package was placed on the ground to serve as a starting mark to let the fun begin.


This photo is just too much! Everything about it is way cool. The look, the angle, the kids. To me, it rates as one of the best vintage chopper photos ever!.. and is likely my favorite wheelie photo of all time. Joe said his forks took a pounding from doing this.


Steve's slick Panhead. The neighborhood kids got a real treat that day.

Before & After

Here's a couple of pre-White Bear shots in it's silver phase before Joe went all out custom on it.



...and after he sold it.

Correction to the post below. It was Dominic Rutigliano not Bob Olsen who bought the bike. Dominic worked at EME. Joe 's built many versions of each bikes he 's owned and has been telling me so much information, it's hard to get it all right the first time.

Puzzle Solved

This ad always puzzled me. I remember seeing it and wondering, could this possibly be White Bear repainted with some minor cosmetic changes or just a very similar machine? It seemed too soon to be the same bike but, at the same time, too similar.

Full page ad from the back cover of the Nov. '73 Custom Chopper. White Bear was in the Aug. '73 Street Chopper, not much time had passed between seeing both bikes published.

Same stance, mags, forks, bars, magneto, and tank with indents. Some other things while similar, are a bit it off? Sportster headlight wasn't chrome, exhaust are slightly different, the engine was not bead blasted but polished in places and sporting a SU carb. But, there was a small nagging similarity. It had exactly the same Harley-Davidson decal on the top edge of the oil tank.

37 years later, puzzle solved. I showed Joe the ad and finally got the answer. He sold white Bear for $1800 as a rolling chassis to Bob Olsen, owner of E.M.E so he could buy a Porsche 911. Pretty decent money for a roller back then.

Final Notes: Joe did later run a SU on White Bear. He knew and still knows the girl (Cindy). in the ad. He never saw the photo of her that they mention in the ad. The wheels advertised (U.S. Mag Corp.), aren't the same as the ones on the bike. They are the original American Racing Wheels.

"Little Stevie" and "Coffin Pete" by David Mann

I especially love David Mann's early work, and love seeing artist's work that I've never seen before. So, when Joe Hurst first told me he had a original David Mann painting, I immediately thought, I can't wait to see it.

I was totally jazzed when he brought it along on our visit to the Wailing Wall.


Stevie is on the left and Pete is on the red bike. It's Pete of Pete's Panhead of Choppers Magazine Feb '69. Stevie made a deal with the devil and the devil cashed in early. Joe and his buddy Nez asked Dave to paint it.

I really dig Dave's work from this period. 1971 was the same year he started doing illustrations for Easyriders.

The painting has endured some stains over the years and Joe hoped it could be cleaned. I told him it was very likely painted with gouache (pronounced "gwash"), and since they are opaque watercolors it would probably bleed if any attempt at cleaning was made. I then added, if it can't be cleaned, it's still a totally cool piece to own.

Later, I suggested he contact Jacquie Mann to find out the media Dave used. He immediately called her and she confirmed it as gouache.


I can't leave things alone, so as an exercise/challenge , I did some Photoshop retouching.

I love night scenes. This is now one of my favorite David Mann pieces.

Why White Bear?...

I always wondered?


One of Joe's favorite shots.

Before we met in person, I asked Joe, why was such a colorful bike, named White Bear? He told me, but before I let on, check this out.


From Joe's wall of fame.

When I met Joe at the Wailing Wall, he had some goodies in the back of his SUV. Joe had told me about his collage. It's is made up of friends and their bikes from over the years that were featured in magazines. I was really glad and surprised he also brought his David Mann painting along, but more on that later.


Here's another good shot of the top of White Bear's tank. The Model 'T' Hot Rod in the background was Dick Allen's at the time. He got it in trade from Jim Andrews. Jim hounded Dick for the Cobra Trike so Dick traded it plus the chromed frame from his earlier bike for the 'T' and a bunch of bike stuff.

Joe told me White Bear was named after the Funny Car that inspired the paint job. I did a Google search, and at first, all of the results didn't quite add up.

Definitely somethings amiss.


Almost


Eureka!

Then I stumbled on this toy car. It turned out that Tom Hoover had several Funny Cars and they kept getting wilder paint jobs. White Bear appears to be a Dodge dealer and sponsor.


Not the best shot, but The Real Deal.


Right in the middle of the collage is the very photo that inspired Joe.

Bruce Parrish, who painted the bike, at first asked, "How am I supposed to do that car's paint on a bike"? Joe told me they spent about every waking hour for an entire week masking and spraying. It was first painted a base of pearl white and after the first color (gold), was sprayed, he said it looked horrible. Good thing they kept at it.


One bad ass machine. I guess it's fitting that a bike that looks like a Dragster, was inspired by a Funny Car.

A Vist to the Dick Allen Wailing Wall

Joe Hurst called me up yesterday and suggested we meet at the former location of Dick's shop in North Redondo.


Dick Allen worked out of several shops over his illustrious career, but the most well known was his shop on Artesia Blvd. in Redondo Beach CA. This old photo is from that location. When I was a kid, on our way to and from the beach, I always craned my head , hoping to get a look at some choppers as we drove by.


Today at the corner of Artesia Blvd. and Flagler Lane, there's a Starbucks almost where his shop was.


The Dick Allen Wailing Wall is Joe's name for the shop's former location. Where it goes up was actually the start of the back wall of the building. You can still see some marks along the top and bottom of the fourth blocks from the top. Possibly where the former roof's rafters were hung.


The protrusion at the rear wall is where the building's front would have ended.


Looking out across the street you can see the building with arches as in the old photo at the top of the post. With a little imagination you might even think you can still see Dick.

You may want to make a pilgrimage to these sacred grounds yourself. Perhaps, you can find a crack and leave a prayer note to one of the Chopper Gods.